Quine and Quine

I recently found out that Robert Quine, nephew to W.V.O. Quine (one of my favorite philoso­phers) was in The Voidoids. What next, do I find out that Kurt Cobain is Adrian Frutiger’s great grandson?

None of this mat­ters in any sig­nif­i­cant way, but it makes me feel all tingly inside.

UPDATE: He also played gui­tar on Girl­friend. Jim DeRo­gatis once said that the gui­tar solo on Serve The Ser­vants sounds like Robert Quine. 

graphic design, science, and art

I believe that graphic design can exist in a vacuum.

I know of some design­ers that work using a data-​​based approach. They do things such as mar­ket research, usabil­ity stud­ies, focus groups, etc. Gen­er­ally speak­ing, they con­duct stud­ies, and use the method­ol­ogy that the major­ity of sub­jects approve of.

Using aca­d­e­mic dis­ci­plines as an anal­ogy, this would be the soft sci­ence. Soci­ol­ogy, psy­chi­a­try, eco­nom­ics, etc.

I pre­fer a dif­fer­ent approach. My method­ol­ogy is based on my knowl­edge of his­tory, intu­ition, and an abil­ity to gen­er­al­ize. Some­times I will ask other peo­ple if my intent is clear. Often I won’t. Some­times I try to base my designs on log­i­cal prin­ci­ples. When I’m feel­ing more poetic, I won’t.

Using aca­d­e­mic dis­ci­plines as an anal­ogy, this would be the human­i­ties. Art, Lit­er­arure, Philosophy.

What makes this anal­ogy inter­est­ing is when you com­pare phi­los­o­phy to psy­chol­ogy. Both sub­jects are con­cerned with the mind, and its rela­tion to the exter­nal world.

Both approaches to graphic design are con­cerned with dis­play­ing infor­ma­tion. One uses sci­ence, and one is pri­mar­ily con­cerned with logic. There’s a lot of over­lap, but ulti­mately, I pre­fer using logic as a tool to present information.

Fur­ther­more, I believe that using mar­ket research, focus groups, etc. cre­ates a lowest-​​common-​​denominator approach to design. This makes it dif­fi­cult to inno­vate. It’s like design by a very large committee.

Design as an arts dis­ci­pline allows for inno­va­tion, style, individuality.

I think there is a place for both. But I pre­fer art to sci­ence. Although there is a large amount of evi­dence sup­port­ing design choices, such as UPS’s new logo, Paul Rand’s orig­i­nal seems more authen­tic to me.

vagueness

The Onion knows what’s up.

reading as authoring

It is sel­dom use­ful when peo­ple speak in com­plete gen­er­al­i­ties. Propo­si­tions with­out con­crete sub­jects cause one’s brain to infer mean­ing wher­ever one (or one’s brain) sees fit. This can cause a reader to attribute to the author thoughts and feel­ings that in fact gen­er­ated from the reader, which in turn causes the reader to grossly mis­un­der­stand the author’s intent.

I am a firm believer in intent. Authors rarely write with­out an intended mes­sage. Cer­tainly, there have been works writ­ten to inspire rather than inform (Lewis Carroll’s Jab­ber­wocky comes to mind.) But in the case of phi­los­o­phy, and espe­cially con­tem­po­rary aca­d­e­mic phi­los­o­phy, being vague in this way seems to go against the point.

When you do phi­los­o­phy, and espe­cially when you are writ­ing it down, you are con­cerned with estab­lish­ing that your thoughts are true. This is con­sid­er­ably more dif­fi­cult when you attempt to write clearly, because your thoughts must be orga­nized and be sup­ported by evi­dence, exam­ples, etc. When you write vaguely, you can say any­thing, and what­ever the per­son is think­ing of when they are read­ing becomes what you wrote about. When you write vaguely, you do not own your thoughts. They become the prop­erty of the reader. You can not legit­i­mately claim to have writ­ten these ideas.

So if some­one comes away from your work and has a dif­fer­ent idea than what you intended, can you say that they have under­stood you? Have you com­mu­ni­cated your ideas? In both cases, the answer is no.

In phi­los­o­phy, if you write vaguely, you aren’t writ­ing at all.

This is why I tend to dis­like the con­ti­nen­tals. Hegel, Hei­deg­ger, etc. I stick with good ol’ bor­ing ana­lytic phils­o­phy — Rus­sell, Wittgen­stein, Ayer, etc. I deeply dis­trust any­one who says they are inter­ested in con­ti­nen­tal phi­los­o­phy, because it’s really just a bunch of essays. That’s fine, for lit­er­a­ture. Phi­los­o­phy, and philoso­phers how­ever, need to be more serious.

noise, personal space, and Utilitarianism

Where I work, our offices are near the back of the build­ing. The alley, right out­side our door, is quite busy and we often hear noises — trucks bring­ing ship­ments of food to restau­rants, yup­pies park­ing their cars in their garages, that sort of thing.

Today, the guy who owns the apart­ment build­ing directly across the alley from us was doing some­thing with his motor­cy­cle. I don’t know what it was, and I don’t care. It was loud and it both­ered me. So I started mak­ing com­ments to my cowork­ers about how peo­ple are incon­sid­er­ate and why do motor­cy­cles always have to be loud, etc.

I asked my boss if his motor­cy­cle was that loud. He told me it wasn’t. So then I asked if the dude that owns the apart­ment build­ing fixed his up to make it louder, and if so, he was an ass­hole. My boss wouldn’t really say. He just kept repeat­ing “some peo­ple just like the way it sounds” when I asked why would any­one want a loud motorcycle.

I gen­er­ally have this idea that you should never do any­thing that’s going to bother somone else, espe­cially if that thing is just small mun­dane activ­ity you do to make your­self feel bet­ter. Like the guy who sat next to Elaine and made the lip-​​smacking noise after every sip of coffee.

It’s not worth it. I just plain think it’s wrong, but even from a Util­i­tar­ian stand­point, the num­bers are just staggering.

Say you work with 10 peo­ple, all within earshot of your cubi­cle. You really enjoy singing, espe­cially the pop­u­lar songs of past decades. Chances are, those 10 peo­ple aren’t going to enjoy your vocal stylings.

So you shouldn’t sing because you are going to annoy 10 peo­ple, and only make 1 per­son happy. And really, does that make you happy? Shouldn’t you be spend­ing your time, doing, say, work, instead of singing James Tay­lor songs? But the point is — you shouldn’t do it because 10 is larger than 1.

This brings up another inter­est­ing point — if I ever start doing phi­los­o­phy seri­ously, and I want to be remem­bered, this would cer­tianly be a recur­ring theme of mine — the ethics of the mundane.

Util­i­tar­i­an­ism is gen­er­ally con­cerned with doing the thing that will ben­e­fit the most peo­ple. The exam­ples given in a class­room set­ting are gen­er­ally of the mur­der­ing your rich neigh­bor to get all his money and save the poor chil­dren, speed­ing train­car headed toward a group of old peo­ple variety.

I don’t think this is a very good way to go about teach­ing ethics. I see, every day, peo­ple doing things that offend me on moral grounds, but they aren’t life or death sorts of things. They’re things like hold­ing doors open, and get­ting off at the front of the bus. Stuff that doesn’t really mat­ter, on a bib­li­cal scale. But this stuff impacts my life. And yours. And every­one elses. And it hap­pens to you every day, time and time again.

If peo­ple can’t be trusted to hold a door open for you, then they cer­tainly can’t be trusted to save your life if a train­car comes rush­ing toward you and they’re the only ones who can throw the switch to make it jump to the other track.

So, because I heard motor­cy­cles in the alley, we are liv­ing in a moral waste­land. Fuck all this war for oil shit — let’s have a war for com­mon fuck­ing courtesy.